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"A bracing experience for those who want
animation to be more than 3D superheroics
and anthropomorphic animal stories.” — Kirk Honeycutt, Hollywood Reporter
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Anda Union: From The Steppes To The City follows a band of young Inner Mongolian musicians as they traverse 10,000 km to perform for each of the ten members' far flung families.
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AUTOLUMINESCENT
“A barbed valentine to a near-genius… Fans
wil love it; non-fans will get a strong taste
of the hedonistic alt .universe these people
inhabited.” — Jim Schembri, Sydney Morning Herald |
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BEATS, RHYMES & LIFE: THE TRAVELS OF A TRIBE CALLED QUEST
“Even those who never joined the cult of A
Tribe Called Quest will find this clear-eyed
chronicle of their career irresistible.” — Joe Neumaier, New York Daily News |
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CHICO & RITA
“If I call it one of the best fictional films ever
made about jazz, it’s only because I’m hedging my
bets; in truth, I can think of none other as true
and gripping.” — Gary Giddins, Film Comment |
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"A real delight – warm, amusing and
delightfully structured… It opens quite
wonderfully and simply doesn’t look back.”— Mark Adams, Screendaily |
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“Perry and co-writer/star Carlen Altman are Colin and J.R.,
the most loathsomely loveable brother-sister duo in the
history of cinema.” — Paul Coldiron, LA Weekly |
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“Coriolanus is one of the year’s best political thrilers.
It’s over 400 years old.” — Lisa Schwarzbaum, Entertainment Weekly |
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DAMSELS IN DISTRESS
“Whit Stillman’s whimsical campus comedy
is an utter delight… Positively boiling with
sharp, almost casualy dispensed zingers…chockful of daft digresions and sweetly
silly subplots.” — Leslie Felperin, Variety |
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DAS BOOT
“Wolfgang Petersen’s drama of life aboard a German U-boat
(named 25th in Empire’s list of the world’s all-time best
movies) began life as a TV series, and was first seen by the
wider world in this 150 minute theatrical version released
(and nominated for numerous Oscars) in 1981. |
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THE DEEP BLUE SEA
Best known for Distant Voices, Still Lives and The Long Day Closes, Davies once again savours period specfics and refashions the rationed romanticism of the era’s films. |
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EAMES: THE ARCHITECT AND THE PAINTER
“There couldn't be a better time to examine the complex and absorbing history of this designing couple, and Eames: The Architect and the Painter couldn't be a better vehicle for that examination, “ says Kenneth Turan in the LA Times. |
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THE EYE OF THE STORM
“The production is ravishingly designed and, beside a
full-on Charlote Rampling, features a collection of
Australian actors at the very top of their game... It’s an
acting masterclass.” — Frank Hatherly, Screendaily |
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THE FRONT LINE
Dominating local box office and award
ceremonies alike, this pumeling big-budget
Korean Platoon takes a sharply cynical grunt’s
eye view of the war betwen North and South. |
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HARA-KIRI 3D: DEATH OF A SAMURAI
“This chiaroscuro reimagining of 17th-century
Japan is as fresh and vivid as anything Miike
has ever done.” — Tony Rayns, London Film Festival |
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HELL AND BACK AGAIN
Hell and Back Again is startling in its discreet mix of intimacy and objectivity, a
potent addition to the canon of classic war films. |
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TE HONO KI AOTEAROA
Given a front row seat from the earliest negotiations through
to the handing over, filmmaker Jan Bieringa documents the creation of a new waka taua for the Museum Volkenkunde in Leiden |
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KING OF DEVIL'S ISLAND
“A brooding, evocative Norwegian juvie-hell
drama… indelible in its muster of pungent
period flavour.” — Michael Atkinson, Village Voice |
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LETTERS TO FATHER JACOB
“Fresh and heartrending… A simple but transcendent story
about faith and human frailty achieves a state of grace.” — Alissa Simon, Variety |
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MARGARET
“Maybe it’s not for everyone. Maybe nothing worth paying
attention to is… Margaret is unequivocally my choice
for the film of the year.” — Karina Longworth, Village Voice |
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MENTAL NOTES
The bad old, very bad old days of mental health care in New Zealand
are recalled with dismay, disbelief and a touch of gallows humour by
five survivors in Jim Marbrook’s gently affirmative documentary.
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MISS BALA
“As bang-bang as its title… Miss Bala (Miss
Bullet) is at once an example of virtuoso
action filmaking and an impasioned
response to the colapse of civil order in
northern Mexico.” — J. Hoberman, Village Voice
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ONCE UPON A TIME IN ANATOLIA
A
sardonic road movie/police procedural in which investigators
search for a dead body, guided by a murderer who can’t
remember where he left it, its frissons are metaphysical, not
deductive. |
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OUR IDIOT BROTHER
A performance of perfect blundering innocence from Paul Rudd buoys this laugh-out-loud farce about a back-to-the-earth alternative lifestyler who disrupts the lives of his three uptight New York City sisters. |
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PRESUMED GUILTY
The staggering true story of how righteous
forces conspire to condemn an innocent man
accused of child abuse. |
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THE SOURCE
Director Radu Mihaileanu (The Concert) conjures lush,
good-humoured entertainment from a Middle Eastern village
tale – a universal tale, really – of a ‘love strike’ staged
by women tired of fetching and carrying for indolent men. |
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THE SWELL SEASON
The perfect complement to the inimitable Once is a documentary: an intimate, music-filled and
moving account of everything that followed for its winsome starring duo. |
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THE TALL MAN
“A penetrating and stylish crime documentary… encapsulating the tragedy with force and
compassion in equal measure.” — Russell Edwards, Variety |
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THE TRIANGLE WARS
Architects, engineers and city planners take the lead in Urbanized, but politicians and developers hold all the cards in The Triangle Wars, an alarming (and disarmingly funny) account of urban development closer to home. |
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THIS IS NOT A FILM
Smuggled at the last minute into last year’s Cannes Film Festival on a USB
stick buried inside a cake, This is Not a Film is a timely instance of the
digital empowerment that totalitarian powers are bent on stamping out. |
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UNDER AFRICAN SKIES
Paul Simon revisits Graceland - his 1986 worldwide hit album - for the 25th anniversary reunion tour.
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URBANIZED
“Even viewers with deep knowledge of modern urban planning are likely to learn something from the carefully selected images and thoughtful interviews that make up most of Urbanized,” says NY Times critic A. O. Scott.
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WAR OF THE ARROWS
“War of the Arrows is one helluva chase
movie… Supremely well
staged, shot and cut
so suspense builds and builds.” — Kirk Honeycutt, Hollywood Reporter |
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WOODY ALLEN - A DOCUMENTARY
“A feast for all Woody fans and anyone else
who is interested in a prolific, persistent
artist’s creative world.” — Frazier Moore, Huffington Post |
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YES MADAM, SIR
“An enthraling chronicle of Kiran Bedi’s
brilliant, tempestuous career as India’s first
elite policewoman.” — Richard Kuipers, Variety |
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